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Name the Painter - Realism

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Realism is an art movement that occurred over the last half of the 19th Century that focused on depicting everyday subjects and situations in contemporary settings. Realism started in France and spread across the globe, influencing many American artists. This topic also includes a few paintings in the Symbolism style (rejecting the norm for the rest of this topic). The paintings contained within this topic are the most popular painting of key artists as listed on the Wikipedia, Wikiart, WikiMedia Commons, Google Art Project, The Atheneum, Olga's Gallery and/or the Web Gallery of Art websites.

100 facts:

Auguste Bonheur
   painted   

Plowing in Nevirnais; 1855; French; Realism; private collection; oil on canvas; 50 x 112 cm
Auguste Bonheur
   painted   

The Ruins of Chateau d'Apchon; 1852; French; Realism; National Museum, Liverpool, England; oil on canvas; 80 x 116 cm
Édouard Manet
   painted   

The Tragic Actor (Rouvière as Hamlet); 1866; French; Impressionism; The National Gallery of Art, Washington, D.C., U.S.A.; oil on canvas; 187 x 108 cm
Édouard Manet
   painted   

Beggar with Oysters (The Philosopher); 1864-1867; French; Realism; The Art Institute of Chicago, U.S.A.; oil on canvas; 187 x 110 cm
Édouard Manet
   painted   

Jesus Mocked by Soldiers; 1865; French; Realism; The Art Institute of Chicago, Illinois, U.S.A.; oil on canvas; 191 x 148 cm
Édouard Manet
   painted   

Mile Victorine Meurent in the Costume of an Espada; 1862; French; Realism; The Metropolitan Museum of Art, New York, New York, U.S.A.; oil on canvas; 165 x 126 cm
Édouard Manet
   painted   

Olympia; 1863; French; Realism; Musée d'Orsay, Paris, France; oil on canvas; 130 x 190 cm
Édouard Manet
   painted   

Still Life with Melon and Peaches; 1866; French; Realism; National Gallery of Art, Washington, D.C., U.S.A.; oil on canvas; 68 x 91 cm
Édouard Manet
   painted   

The Balcony; 1868; French; Realism; Musée d'Orsay, Paris, France; oil on canvas; 170 x 124 cm
Édouard Manet
   painted   

The Dead Toreador; 1864-1865; French; Realism; National Gallery of Art, Washington, D.C., U.S.A.; oil on canvas; 76 x 153 cm
Édouard Manet
   painted   

The Fifer; 1866; French; Realism; Musée d'Orsay, Paris, France; oil on canvas; 161 x 97 cm
Édouard Manet
   painted   

The Luncheon on the Grass (Le Déjeuner sur l'herbe); 1862-1863; French; Realism; Musée d'Orsay, Paris, France; oil on canvas; 208 x 266 cm
Édouard Manet
   painted   

The Old Musician; 1862; French; Realism; National Gallery of Art, Washington, D.C., U.S.A.; oil on canvas; 187 x 248 cm
Édouard Manet
   painted   

The Spanish Singer; 1860; French; Realism; The Metropolitan Museum of Art, New York, U.S.A.; oil on canvas; 147 x 114 cm
Édouard Manet
   painted   

Woman with Parrot; 1866; French; Realism; The Metropolitan Museum of Art, New York, U.S.A.; oil on canvas; 185 x 129 cm
Elihu Vedder
   painted   

Dancing Girl; 1871; American; Realism; Reynolda House Museum of American Art, Winston-Salem, North Carolina, U.S.A.; oil on canvas; 99 x 51 cm
François Bonvin
   painted   

Charity (La Charité); 1851; French; Realism; Musée des beaux arts de Niort, France; media unknown; size unknown
François Bonvin
   painted   

The Maid; 1875; French; Realism; The Art Institute of Chicago, Illinois, U.S.A.; oil on canvas; 45 x 31 cm
François Bonvin
   painted   

The Seamstress Soup (La Tailleuse de soupe); 1886; French; Realism; Musée des beaux-arts di Mulhouse, France; media unknown; size unknown
François Bonvin
   painted   

Still Life with Brass Kettle; 1883; French; Realism; Museum Boijmans Van Beuningen, Rotterdam, The Netherlands; oil on canvas; 38 x 46 cm
François Bonvin
   painted   

Still Life with Asparagus; 1862; French; Realism; Baltimore Museum of Art, Maryland, U.S.A.; Oil on Wood panel; 40 x 32 cm
Gustave Courbet
   painted   

Jo, the Beautiful Irish Girl (La belle irlandaise); 1866; French; Realism; Nationalmuseum Sweden, Stockholm; oil on canvas; 54 x 65 cm
Gustave Courbet
   painted   

The Desperate Man (Self-portrait); 1844-1845; French; Romanticism; private collection; oil on canvas; 45 x 54 cm
Gustave Courbet
   painted   

The Bather (The Woman in the Waves); 1868; French; Realism; The Metropolitan Museum of Art, New York, New York, U.S.A.; oil on canvas; 65 x 54 cm
Gustave Courbet
   painted   

The Greyhounds of the Comte de Choiseul; 1866; French; Realism; St. Louis Art Museum, Missouri, U.S.A.; oil on canvas; 90 x 116 cm
Gustave Courbet
   painted   

The Stone Breakers; 1849; French; Realism; Galerie Neue Meister, Dresden, Germany (destroyed in World War II); oil on canvas; 165 x 257 cm
Gustave Courbet
   painted   

Waves; 1870; French; Realism; The National Museum of Western Art, Tokyo, Japan; oil on canvas; 72 x 92 cm
Henri Fantin-Latour
   painted   

Charlotte Dubourg; 1882; French; Realism; Musée d'Orsay, Paris, France; oil on canvas; 118 x 92 cm
Henri Fantin-Latour
   painted   

Self-Portrait; 1859; French; Realism; Musée de Grenoble, France; media unknown; 101 x 83 cm
Henri Fantin-Latour
   painted   

Still Life; 1866; French; Realism; National Gallery of Art, Washington, D.C., U.S.A.; oil on canvas; 62 x75 cm
Henri Fantin-Latour
   painted   

The Corner of the Table; 1872; French; Realism; Musée d'Orsay, Paris, France; oil on canvas; 160 x 225 cm
Henri Fantin-Latour
   painted   

Vase of Peonies (Vase de Pivoines); 1881; French; Realism; Honolulu Museum of Art, Hawaii, U.S.A.; oil on canvas; size unknown
Henri Fantin-Latour
   painted   

Vase of Peonies (Vase de roses); 1875; French; Realism; private collection; media unknown; size unknown
Henri Fantin-Latour
   painted   

White Roses; 1875; French; Realism; York Art Gallery, York, England; oil on canvas; 37 x 42 cm
James McNeill Whistler
   painted   

Arrangement in Black, No. 5 (Portrait of Lady Meux); 1881; American; Realism; Honolulu Museum of Art, Hawaii, U.S.A.; oil on canvas; 130 x 194 cm
James McNeill Whistler
   painted   

Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle; 1872-1873; American; Realism; Art Gallery and Museum, Glasgow, Scotland; oil on canvas; 144 x 172 cm
James McNeill Whistler
   painted   

Arrangements in Grey and Black No. 1 (Whistler's Mother); 1871; American; Realism; Musée d'Orsay, Paris, France; oil on canvas; 144 x 162 cm
James McNeill Whistler
   painted   

At the Piano; 1858-1859; American; Realism; Taft Museum of Art, Cincinnati, Ohio, USA; oil on canvas; 92 x 67 cm
James McNeill Whistler
   painted   

Brown and Silver: Old Battersea Bridge; 1859; American; Realism; Addison Gallery of American Art, Andover, U.S.A.; oil on canvas; 76 x 64 cm
James McNeill Whistler
   painted   

Harmony in Pink and Gray (Portrait of Lady Meux); 1881; American; Impressionism, Realism; Indianapolis Museum of Art, Indiana, U.S.A.; oil on canvas; 194 x 93 cm
James McNeill Whistler
   painted   

Man Smoking a Pipe; 1859; American; Reaism; Musée d'Orsay, Paris, France; oil on canvas; 33 x 41 cm
James McNeill Whistler
   painted   

Mother of Pearl and Silver: The Andalusian; 1888-1900; American; Impressionism, Realism; National Gallery of Art, Washington, D.C., U.S.A.; oil on canvas; 192 x 90 cm
James McNeill Whistler
   painted   

Symphony in White, No. 1: The White Girl Portrait of Joanna Hiffernan; 1862; American; Realism; National Gallery of Art, Washington, D.C., U.S.A.; oil on canvas; 215 x 108 cm
James McNeill Whistler
   painted   

Symphony in White, No. 3; 1865-1867; American; Realism; The Barber Institute of Fine Arts, Birmingham, England; oil on canvas; 52 x76 cm
James Tissot
   painted   

Ball on Starboard; 1882; French; Realism; private collection; oil on canvas; 84 x 109 cm
James Tissot
   painted   

Chrysanthemums; 1874-1876; French; Realism; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, U.S.A.; oil on canvas; 118 x 76 cm
James Tissot
   painted   

On the Thames; 1882; French; Realism; private collection; oil on canvas; 147 x 102 cm
James Tissot
   painted   

Still on Top; 1873; French; Realism; Auckland Art Gallery, Kia Ora, New Zealand; oil on canvas; 87 x 53 cm
James Tissot
   painted   

Woman of Paris: The Circus Lover; 1885; French; Realism; Museum of Fine Arts, Boston, Massachusetts, U.S.A.; oil on canvas; 147 x 102 cm
James Tissot
   painted   

The Letter; 1878; French; Realism; National Gallery of Art, Ottawa, Canada; oil on canvas; 72 x 107 cm
John Singer Sargent
   painted   

Almina, Daughter of Asher Wertheimer; 1908; American; Realism; Tate Modern, London, England; oil on canvas; 134 x 101 cm
John Singer Sargent
   painted   

El Jaleo (Spanish Dancer); 1882; American; Realism; Isabella Stewart Gardner Museum, Boston, Massachusetts, U.S.A.; oil on canvas; 237 x 352 cm
John Singer Sargent
   painted   

Frederick Law Olmsted; 1895; American; Realism; Biltmore Estate, Asheville, North Carolina, U.S.A.; oil on canvas; 231 x 156 cm
John Singer Sargent
   painted   

Garden Study of the Vickers Children; 1884; American; Realism; Flint Institute of Arts, Michigan; U.S.A.; oil on canvas; 138 x 91 cm
John Singer Sargent
   painted   

Gassed; 1918; American; Realism; Imperial War Museum, London, Englandl; oil on canvas; 231 x 611 cm
John Singer Sargent
   painted   

Gondeliers' Siesta; 1905; American; Impressionism; private collection; watercolor on paper; 36 x 51 cm
John Singer Sargent
   painted   

John D. Rockefeller; 1917; American; Realism; private collection; oil on canvas; 147x 114 cm
John Singer Sargent
   painted   

Lady Agnew of Lochnaw; 1892; American; Realism; Scottish National Gallery, Edinburgh, Scotland; oil on canvas; 127 x 101 cm
John Singer Sargent
   painted   

Madame X; 1884; American; Realism; The Metropolitan Museum of Art, New York, New York, U.S.A.; oil on canvas; 235 x 110 cm
John Singer Sargent
   painted   

Muddy Alligators; 1917; American; Realism; Worcester Art Museum, Massachusetts, U.S.A.; watercolor over graphite on paper; 36 x 53 cm
John Singer Sargent
   painted   

Repose; 1911; American; Realism; National Gallery of Art, Washington, D.C., U.S.A.; oil on canvas; 64 x 76 cm
John Singer Sargent
   painted   

Robert Louis Stevenson and His Wife; 1885; American; Realism; Crystal Bridges Museum of American Art, Bentonville, Arkansas, U.S.A.; oil on canvas; 52 x 62 cm
John Singer Sargent
   painted   

Self-Portrait; 1906; American; Realism; Uffizi Gallery, Florence, Italy; oil on canvas; 70 x 53 cm
John Singer Sargent
   painted   

The Daughters of Edward Darley Boit; 1882; American; Realism; Museum of Fine Arts, Boston, Massachusetts, U.S.A.; oil on canvas; 222 x 222 cm
John Singer Sargent
   painted   

The Sulphur Match; 1882; American; Realism; private collection; oil on canvas; 58 x 41 cm
John Singer Sargent
   painted   

Thistles; 1885-1889; American; Realism; The Art Institute of Chicago, Illinois; U.S.A.; oil on canvas; 56 x 72 cm
John Singer Sargent
   painted   

Theodore Roosevelt; 1903; American; Realism; The White House, Washington, D.C., U.S.A.; oil on canvas; 148 x 102 cm
John Singer Sargent
   painted   

Winifred Duchess of Portland; 1902; American; Realism; private collection; oil on canvas; size unknown
Martin Johnson Heade
   painted   

Blue Morpho Butterfly; 1865; American; Realism; private collection; oil on canvas; 31 x 25 cm
Martin Johnson Heade
   painted   

Cattleya Orchid and Three Brazilian Hummingbirds; 1871; American; Realism; National Gallery of Art, Washington D.C., U.S.A.; oil on mahogany panel; 35 x 46 cm
Martin Johnson Heade
   painted   

Point Judith, Rhode Island; 1867-1888; American; Realism; The Cleveland Museum of Art, Ohio, U.S.A.; oil on canvas; 72 x 128 cm
Martin Johnson Heade
   painted   

Giant Magnolias on a Blue Velvet Cloth; 1890; American; Realism; The National Gallery of Art, Washington D.C., U.S.A.; oil on canvas; 38 x 62 cm
Martin Johnson Heade
   painted   

Sunlight and Shadow: the Newbury Marshes; 1871-1875; American; Luminism, Romanticism; The National Museum of Art, oil on canvas; 31 x 67 cm
Rosa Bonheur
   painted   

Plowing in Nevers; 1849; French; Realism; Musée d'Orsay, Paris, France; oil on canvas; 124 x 260 cm
Rosa Bonheur
   painted   

Study of a Cow; 1840; French; Realism; Figg Art Museum, Davenport, Iowa, U.S.A.; oil on canvas; size unknown
Rosa Bonheur
   painted   

The Horse Fair; 1852-1855; French; Realism; The Metropolitan Museum of Art, New York, New York, U.S.A.; oil on canvas; 244 x 507 cm
Rosa Bonheur
   painted   

Weaning the Calves; 1879; French; Realism; The Metropolitan Museum of Art, New York, New York, U.S.A.; oil on canvas; 65 x 81 cm
Valentin Serov
   painted   

In a Village (Peasant Woman with a Horse); 1889; Russian; Realism; Tretyakov State Gallery, Moscow, Russia; pastel on paper; size unknown
Valentin Serov
   painted   

Portrait of Princess Olga Orlov; 1911; Russian; Realism; Russian Museum, St. Petersburg, Russia; oil on canvas; 238 x 160 cm
Valentin Serov
   painted   

Girl with Peaches: Portrait of V.S. Mamontova; 1887; Russian; Impressionism; Tretyakov State Gallery, Moscow, Russia; oil on canvas; 91 x 85 cm
Valentin Serov
   painted   

Portrait of Emperor Nicholas II; 1900; Russian; Impressionism; Tretyakov State Gallery, Moscow, Russia; oil on canvas; 71 x 59 cm
Valentin Serov
   painted   

Self-Portrait; 1880s; Russian; Impressionism; private collection; media unknown; size unknown
Winslow Homer
   painted   

Breezing Up (A Fair Wind); 1873-1876; American; Realism; National Gallery of Art, Washington, D.C., U.S.A.; oil on canvas; 62 x 97 cm
Winslow Homer
   painted   

Croquet Scene; 1864-1866; American; Realism; The Art Institute of Chicago, Illinois, U.S.A.; oil on canvas; 40 x 66 cm
Winslow Homer
   painted   

Dad's Coming; 1873; American; Realism; National Gallery of Art, Washington, D.C., U.S.A.; oil on panel; 23 x 35 cm
Winslow Homer
   painted   

Eight Bells; 1887; American; Realism; private collection; oil on canvas; 64 x77 cm
Winslow Homer
   painted   

Girl and Laurel; 1879; American; Realism; Detroit Institue of Arts, Michigan, U.S.A.; oil on canvas; 58 x 40 cm
Winslow Homer
   painted   

Gulf Stream; 1899; American; Realism; The Metropolitan Museum of Art, New York, New York, U.S.A.; oil on canvas; 71 x 125 cm
Winslow Homer
   painted   

Home, Sweet Home; 1863; American; Realism; National Gallery of Art, Washington, D.C., U.S.A.; oil on canvas; 55 x 42 cm
Winslow Homer
   painted   

Long Branch, New Jersey; 1869; American; Realism; Museum of Fine Arts, Boston, Massachusetts, U.S.A.; oil on canvas; 41 x 55 cm
Winslow Homer
   painted   

Nach dem Tornado; 1889; American; Realism; The Art Institute of Chicago, Illinois, U.S.A.; gouache, graphite, watercolor on paper; 38 x 54 cm
Winslow Homer
   painted   

Snap the Whip; 1872; American; Realism; The Metropolitan Museum of Art, New York, New York, U.S.A.; oil on canvas; 31 x 51 cm
Winslow Homer
   painted   

The Brierwood Pipe; 1864; American; Realism; The Cleveland Museum of Art, Ohio, U.S.A.; oil on canvas; 43 x 38 cm
Winslow Homer
   painted   

The Adirondack Guide; 1894; American; Realism; Museum of Fine Arts, Boston, Massachusetts, U.S.A.; watercolor over graphite on paper; 38 x 55 cm
Winslow Homer
   painted   

The Fog Warning / Halibut Fishing; 1885; American; Realism; Museum of Fine Arts, Boston, Massachusetts, U.S.A.; oil on canvas; 77 x123 cm
Winslow Homer
   painted   

The Gale; 1883-1893; American; Realism; Worcester Art Museum, Massachusetts, U.S.A.; oil on canvas; 77 x 123 cm
Winslow Homer
   painted   

The Herring Net; 1885; American; Realism; The Art Institute of Chicago, Indiana, U.S.A.; oil on canvas; 76 x 123 cm
Winslow Homer
   painted   

The Life Line; 1884; American; Realism; Philadelphia Museum of Art, Pennsylvania, U.S.A.; oil on canvas; 73 x 114 cm
Winslow Homer
   painted   

The Reaper; 1878; American; Realism; current location unknown; watercolor on paper; size unknown
Winslow Homer
   painted   

The Whittling Boy; 1873; American; Realism; The Art Institute of Chicago, Illinois, U.S.A.; oil on canvas; 40 x 58 cm


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